I wasn’t expecting my new 24-shaft AVL Workshop Dobby Loom to be finished until June. However, it arrived last week. This week, we are assembling it. I can’t wait to start weaving on it. It has an AVL Compu-Dobby computer interface that makes long, artistic pieces really easy to weave. We still have to figure out the computer hookup. I will be selling pieces woven on this loom in my Etsy store.
For the New Mexico Fiber Crawl, which included sites in Albuquerque, Santa Fe, Española, Los Alamos, Taos, and small villages like Chimayó and Dixon in between, we chose to spend our time traveling to Taos. Pictured are our favorite sites on the crawl.
The first set of photos are from Centinela Traditional Fiber Arts in Chimayó. LynnAnnRose is standing with master weaver Irving Trujillo. Lisa Trujillo, also a well-known northern New Mexico weaver, is weaving a fine wool tapestry on an antique family rug loom. Irving is also a master dyer and dyes wool with natural dyes like indigo, madder and cochineal. Some of the tapestries, like the “Spirit of the Rio Grande” tapestry of the woman’s face with moon and stars, were woven by other weavers.
I also loved Metier Hand-weaving studio and gallery in Dixon. We drove home from Taos through Dixon (again) so I could buy this colorful wet felted art piece. I do wet felting, but nothing this skilled.
We attended the first ever New Mexico Fiber Crawl kick off party and exhibition opening in Santa Fe hosted by Las Tejedoras Fiber Arts Guild at El Museo de Cultural. I am one of 29 artists whose works are included in the juried exhibition. New Mexico is known for tapestry and rug weaving due to the strong Navajo (Diné) and Hispanic influence, so a lot of the other pieces are tapestries. My personal favorite from another artists is the double weave moon calendar; I like mixing art and science.
An email from my fiber guild about the fiber crawl:
“The New Mexico Fiber Crawl will take place on Saturday and Sunday, May 13 and 14 at local fiber artists’ studios, galleries, cultural centers, stores, farms, and museums in Albuquerque, Santa Fe, Española, and Taos. It’s a great way to share our knowledge, talents and enthusiasm, and to celebrate and showcase the wide variety of fiber arts in New Mexico.
“There are 21 sites in the Santa Fe and Eldorado area. We hope you do the Fiber Crawl and visit all or some of the participating sites. Las Tejedoras Fiber Arts Guild will be at El Museo Cultural in the Railyard District.
“To kick off the event, Las Tejedoras will host an Opening Party from 5:30-7:30pm on Friday, May 12 at El Museo Cultural. The opening will feature the Invitational and Juried Exhibit with works by distinguished fiber artists across New Mexico.”
This is the first yarn I’ve spun since I moved to Santa Fe last year. I’m spinning a custom two-ply merino and silk yarn for LynnAnnRose. Of course Pablo is helping.
I decided to start with the solid-colored merino top in pale aqua for the first singles. I’m aiming for a fingering weight yarn; LynnAnnRose doesn’t know yet whether she will use the yarn for weaving something to wear or knitting a lace shawl. Two-ply yarn is ideal for both weaving and lace knitting: When woven, two-ply yarn lies flat, whereas three-ply yarn tends to slip around more because of the rounded shape of the yarn in cross section. Lace knitters also prefer two-ply yarn because when knitted, the yarn opens up the holes in the lace, whereas yarn with multiple plies tends to fill in holes.
The gradient-dyed braid is an 80% merino/20% silk top from Spindipity in the colorway “Aqua.”
This warp for a fuchsia huipil-style blouse has been on my eight shaft table loom for too long. I started weaving it months before I moved last year. I’m finally focused on finishing it. I am embroidering 3/2 mercerized cotton through huck lace weft floats on the loom. The fabric itself is 20/2 mercerized cotton. I wove a brocade and soumak border at the beginning. I will weave an identical brocade strip at the end. The fabric will become the two sides of the blouse, with the brocade along the bottom of the front of the blouse. I’ll weave tablet-woven inkle trim to decorate the neckline with a compatible diamond pattern. Pablo likes to keep me company when I weave on the table loom, which is actually on casters. I sit on a mat on the floor to weave.
I finished twisting the fringe on my handwoven hand-dyed, wool-combed, handspun fuchsia rainbow shawl. It has a beautiful drape to it.The fabric is also soft and has a nice stretch. LynnAnnRose and I are sharing it. A lot of work spread out over more than two years went into this shawl, even though the rigid heddle plain weave structure is simple.
Friday, LynnAnnRose and I attended the Albuquerque, New Mexico Las Arañas Spinners & Weavers Guild‘s annual Spider’s Market; I bought a cute tie-dyed tank top. I really need to get my dyeing studio re-established in Santa Fe!!!
LynnAnnRose finished her first inkle loom project, the flowery inkle strap for a Log Cabin-patterned tote bag. I helped her out by finishing the last bit of weaving to squeeze out a few more inches in length from the warp, and then I sewed the ends, cut the band off the loom, wet finished it in a hot soap and washing soda solution, and hung it up to dry.
I finished twisting the fringe on my rigid heddle-woven handspun merino wool rainbow shawl. Then I washed it, ironed it, and let it dry. I just need to trim the ends. Photos of the finished shawl coming soon.
LynnAnnRose also spent some time weaving her white huck lace poncho on the eight shaft floor loom.She’s doing a great job for a beginning weaver.
I’m weaving a simple handspun, hand-dyed, hand-combed merino rainbow shawl on my rigid heddle loom. I dyed some of the yarn in cochineal, and some in synthetic fuchsia. The rainbow colors are mostly Ashland Bay Merino Top.I used my English wool combs to combine the rainbow colors into an easy-to-spin variegated top on my hackle.
Using worsted-weight yarn in a 12-dent heddle provides a perfect warp-emphasis fabric. The singles merino fuchsia Malabrigo Lace I chose for the weft showcases my handspun warp really well without attracting attention to itself.
I want to be able to wear this warm wool shawl before it becomes too warm. That’s a lilac bush blooming outside the window.
We finished warping and started weaving the eight shaft cotton and wool white huck lace poncho this weekend. We will weave the more-than-five-yard warp in two shawl-like sections that will be sewn together to make a boat neck-style poncho.
LynnAnnRose decided to add a pale pink wool stripe in between the huck diamonds for added nuance after we started weaving. Originally we were going to use a single, thicker ivory-colored wool yarn, but it didn’t contrast with the Meriboo weft yarn as well as we had hoped it would. Designing on the loom is an important part of the creative process. Sometimes pieces look differently when woven than you think they will. Flexibility is good.
We’re weaving the fabric upside down so that we can weave the pink yarn ends as we’re weaving the fabric into the warp floats on top that will be inside the poncho when it’s finished.